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"Oh, my lady, if I must speak," cries the old man, "but it is terrible news to tell without a word of warning. Mr. Paul Rodney is dying: he shot himself half an hour ago, and is lying now at Rawson's Lodge in the beech wood." That we can only say of things, they be." "You have come," he says, with a quick sigh that be speaks relief. "I knew you would. I felt it; yet I feared. Oh, what comfort to see you again!".

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"Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection. Thus adjured,—though in truth he requires little pressing, having been devoured with a desire since early dawn to reveal the hidden knowledge that is in his bosom,—Geoffrey relates to them the adventure of the night before. Indeed, he gives such a brilliant coloring to the tale that every one is stricken dumb with astonishment, Mona herself perhaps being the most astonished of all. However, like a good wife, she makes no comments, and contradicts his statements not at all, so that (emboldened by her evident determination not to interfere with anything he may choose to say) he gives them such a story as absolutely brings down the house,—metaphorically speaking. "I didn't make up the mare, miss, before comin' out wid ye," he says, mildly, telling this lie without a blush. "'Is thy servant a dog, that he should do this thing?'" quotes Mr. Rodney; and, Mona having got into her shoes, she tells him he is at liberty to follow her across the rustic bridge lower down, that leads from the wood into Mangle Farm..